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	<title>Teft's Blog &#187; Studio Maintenance</title>
	<atom:link href="http://teft.mimiandteft.com/category/music/studio-maintenance/feed/" rel="self" type="application/rss+xml" />
	<link>http://teft.mimiandteft.com</link>
	<description>Ramblings about music, software, and photography</description>
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		<title>It&#039;s 2008 - Is It Time To Upgrade The Studio Computer?</title>
		<link>http://teft.mimiandteft.com/2008/01/16/its-2008-is-it-time-to-upgrade-the-studio-computer/</link>
		<comments>http://teft.mimiandteft.com/2008/01/16/its-2008-is-it-time-to-upgrade-the-studio-computer/#comments</comments>
		<pubDate>Wed, 16 Jan 2008 21:17:18 +0000</pubDate>
		<dc:creator>Teft</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[Studio Maintenance]]></category>

		<guid isPermaLink="false">http://teft.mimiandteft.com/2008/01/16/its-2008-is-it-time-to-upgrade-the-studio-computer/</guid>
		<description><![CDATA[ It's that time of year when new always seems "better".  That new 8-core MacPro looks nice and shiny!  Think of all the plugins I could run with an 8-core machine!  It would stomp all over my dual G5, right? 
Let's jump into a theoretical upgrade see what happens for a moment:


1: [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.flickr.com/photos/grdloizaga/447061508/"><img src="http://farm1.static.flickr.com/209/447061508_cd5ec6ca93_m_d.jpg" alt="Mac computer power button" style="float: left; margin: 8px;" /></a> It's that time of year when new always seems "<em>better</em>".  That new 8-core <a href="http://store.apple.com/1-800-MY-APPLE/WebObjects/AppleStore.woa/wa/RSLID?nnmm=browse&#038;mco=7B723682&#038;node=home/shop_mac/family/mac_pro">MacPro</a> looks nice and shiny!  Think of all the <a href="http://www.kvraudio.com/ratings/100.html">plugins</a> I could run with an 8-core machine!  It would <strong>stomp</strong> all over my dual G5, <strong>right</strong>? </p>
<p>Let's jump into a <em>theoretical upgrade</em> see what happens for a moment:</p>
<p><span id="more-95"></span></p>
<ul>
<li>1: I spend a bunch of money on a new machine.  Bank account feels the <strong>burn</strong>.</li>
<li>2: I get it home, unbox it, and then <strong>realize</strong> that I have to pull apart my current studio.</li>
<li>3: I rip out my old box and then setup my brand new <strong>shiny</strong> computer.</li>
<li>4: I spend 2 weeks solid of <strong>reinstalling</strong> my production software.</li>
<li>5: I spend another 2 weeks figuring out why half my plugins <strong>don't want to run</strong> on the new machine.</li>
<li>6: I finally get the new machine up to a "usable" state for music production and try loading an older song.</li>
<li>7: I experience a large dose of <strong>terror</strong> as I realize that my previous productions <strong>won't load!</strong></li>
<li>8: I ask myself "why WHY!" did I have to upgrade my computer.</li>
<li>9: I moan and groan to all my music friends about the <strong>woes</strong> of running a production studio.</li>
<li>10: <strong>I blog about it</strong>.</li>
</ul>
<p>Or, I could save the $4,000 - $5,000 on the new box and spend the 4 weeks of downtime on <strong>writing new music</strong>.  Hmmmm.  So why would I even upgrade?</p>
<p>It all depends on <strong>productivity</strong>.  Shiny new toys are always appealing in the beginning.  But in the end, it comes down to producing a song.  <strong>Making a record</strong>!  I don't think I've heard anybody say "<em>sweet song ... I can really hear the quad-cores enhancing the song</em>!"</p>
<p>I'm sorry if I'm sounding pissy about computer upgrades.  There is always a time and place for upgrading.  But I think it's very important <strong>analyze</strong> the reasons for upgrading.  When should somebody upgrade?  When you're computer <strong>cannot</strong> produce the music you are trying to create.  That's a definite reason to upgrade.  Otherwise, I always ask myself if I'm really ok with going through that <strong>10 step list</strong> up above in this post.  If I'm cool with it, then off to the <a href="http://store.apple.com/1-800-MY-APPLE/WebObjects/AppleStore">Apple store</a>!</p>
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		</item>
		<item>
		<title>Audio Plugin Format Madness!</title>
		<link>http://teft.mimiandteft.com/2007/07/20/audio-plugin-format-madness/</link>
		<comments>http://teft.mimiandteft.com/2007/07/20/audio-plugin-format-madness/#comments</comments>
		<pubDate>Fri, 20 Jul 2007 22:32:13 +0000</pubDate>
		<dc:creator>Teft</dc:creator>
				<category><![CDATA[Engineering]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Studio Maintenance]]></category>

		<guid isPermaLink="false">http://teft.mimiandteft.com/2007/07/20/audio-plugin-format-madness/</guid>
		<description><![CDATA[Why do we have to have an endless number of audio plugin formats?  I can't imagine being an audio developer today and having to support so many different formats and operating systems.  You've got Windows, Mac, and now Linux for the OS's, but the plugins are ridiculous.  When Apple bought Logic, they [...]]]></description>
			<content:encoded><![CDATA[<p><a href='http://teft.mimiandteft.com/2007/07/20/audio-plugin-format-madness/apple-audiounits/' rel='attachment wp-att-58' title='Apple AudioUnits'><img src='http://teft.mimiandteft.com/wp-content/uploads/2007/07/logo_audiounits.thumbnail.gif' alt='Apple AudioUnits' style="float: left; margin: 8px;" /></a>Why do we have to have an endless number of <strong>audio plugin formats</strong>?  I can't imagine being an audio developer today and having to support so many different formats and operating systems.  You've got Windows, Mac, and now Linux for the OS's, but the plugins are <strong>ridiculous</strong>.  When Apple bought Logic, they dropped support for Windows (which was the reason I switched to Apple!) but they also dropped VST support!  Crazy ... A lot of developers only support VST.</p>
<p>VST, AudioUnit, MAS, 32bit, 64bit, PowerPC, MacTel, ohh my god!  Look at a <a href="http://www.kvraudio.com/forum/viewtopic.php?t=183556&#038;postdays=0&#038;postorder=asc&#038;start=0">KVRAudio post</a> by Zebra developer <a href="http://www.u-he.com/">URS</a>:</p>
<p><span id="more-57"></span></p>
<blockquote><p>Now, formats... do they ever stop bringing out new formats? </p>
<p>I started with </p>
<p>AU<br />
VST Mac<br />
VST Win </p>
<p>but now it's all about </p>
<p>AU UB<br />
VST Mac UB<br />
Vst Win (<- only constant)<br />
RTAS UB<br />
RTAS Win </p>
<p>while in future we'll probably also see (all additional) </p>
<p>VST Mac UB 64<br />
VST Win 64<br />
VST3 Mac UB<br />
VST3 Win<br />
VST3 Mac UB 64<br />
VST3 Win 64<br />
RTAS Mac UB 64<br />
RTAS Win UB 64 </p>
<p>all this, and maybe Linux, too? </p>
<p>Seriously, the format hassle is going NUTS. Plugins shall not do 64 bit upon the format, but shall internally have corresponding switches, if desired (i.e. for marketing reasons). What plugin needs more than 4 Gig of RAM? No f***ing streaming sample player needs that. </p>
<p>I sometimes get the feeling that the format overkill is brought up to bring the small developers down. </p>
<p>Imagine that... </p>
<p>... including free/magware I currently have 16 plugins in my portfolio. It's hard to keep up with the common platform updates... arrrrgh...</p></blockquote>
<p>I feel your pain URS!  I support small developers because they produce cool tools.  Look at <a href="http://www.audiodamage.com/">AudioDamage</a> .. they make amazing plugz!  Supporting all those formats has got to kill development time (that time could be spent on building more cool tools).  But, if the developer doesn't support all those formats, then they potentially lose sales.  </p>
<p>It's funny how the same madness is mirrored in web browser support for CSS/HTML (IE's lack of compliance versus FireFox).</p>
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		</item>
		<item>
		<title>The Most Important Piece of Gear in the Studio</title>
		<link>http://teft.mimiandteft.com/2007/07/17/the-most-important-piece-of-gear-in-the-studio/</link>
		<comments>http://teft.mimiandteft.com/2007/07/17/the-most-important-piece-of-gear-in-the-studio/#comments</comments>
		<pubDate>Tue, 17 Jul 2007 12:00:59 +0000</pubDate>
		<dc:creator>Teft</dc:creator>
				<category><![CDATA[Engineering]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[Studio Maintenance]]></category>

		<guid isPermaLink="false">http://teft.mimiandteft.com/2007/07/17/the-most-important-piece-of-gear-in-the-studio/</guid>
		<description><![CDATA[A lot of people ask me when they first get started in building a home studio "what do you recommend I buy?"  It's such a broad question!  So many choices, options, and paths to walk down.  Do you dance with Digidesign and the ProTools money pit?  Or do you amalgamate a [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.flickr.com/photos/clearfo/368289222/" title="Sound Card - By clearf"><img src="http://farm1.static.flickr.com/186/368289222_a153376335_m_d.jpg" title="sound card" style="float: left; margin: 8px;" /></a>A lot of people ask me when they first get started in building a home studio "<em>what do you recommend I buy</em>?"  It's such a broad question!  So many choices, options, and paths to walk down.  Do you dance with Digidesign and the ProTools <strong>money pit</strong>?  Or do you amalgamate a digital audio workstation from Logic and Motu gear?  Or do you go analog and mix everything through a mackie board?  Or a <strong>combo</strong> of both?  Ahhh!  Options!!!</p>
<p>A common <strong>mistake</strong> is when somebody drops $3,000 - $4,000 on a microphone and only spends $400 on a sound card (<strong>audio converters</strong>).  Big mistake!  Lots of records have been cut with cheap microphones, but the difference is they were cut using analog <strong>tape</strong>.  With digital recording, you inherently lose definition because the sound waves become <strong>steps</strong> (16bit has about 65,000 steps.  24bit has a few million).  Analog tape is not restricted by steps (or bit depth).</p>
<p><span id="more-53"></span></p>
<p><a href='http://www.sweetwater.com/store/manufacturer/Apogee' title='Apogee Rosetta 200'><img src='http://teft.mimiandteft.com/wp-content/uploads/2007/07/rosetta200-medium.thumbnail.jpg' alt='Apogee Rosetta 200' style="float: right; margin: 8px;"/></a>I always advice people on getting the <strong>best</strong> possible audio converters there budget can <strong>afford</strong>.  Emphasis on the "afford"!  High-end mastering converters can out price Honda Civics!  So stop lusting over that Nuemann U87 and get yourself the Apogee Rosetta 200.</p>
<p>The second question I get, after I tell people about buying the best audio converters they can afford, "<em>is there anything I can do for my existing sound card/converters</em>?"  YES!  If your sound card has a <strong>word clock</strong> input.  Apogee makes a digital clock, <strong>Big Ben</strong>, and all it does is keep digital time.  That's it!  But man does it keep great time!</p>
<p><a href='http://www.sweetwater.com/store/manufacturer/Apogee' title='Apogee Big Ben'><img src='http://teft.mimiandteft.com/wp-content/uploads/2007/07/bigben-medium.thumbnail.jpg' alt='Apogee Big Ben' style="float: left; margin: 8px;"/></a>Digital clocks help reduce something that plagues digital signals (adat, spdif, cd players, etc) - jitter.  It's your <strong>enemy</strong>.  It's responsible for <strong>smearing</strong> your audio signals and blurring your mix when you can't get that bass to sit right (the room helps, too <img src='http://teft.mimiandteft.com/wp-includes/images/smilies/icon_wink.gif' alt=';)' class='wp-smiley' />  ).  Clocks, like the Big Ben, do <strong>wonders</strong> for existing audio converters.  The difference is almost night and day.  Blurry undefined audio -vs- clear crystalline audio!  The reason is cheaper sound cards use cheaper digital clocks.</p>
<p>The #1 thing I recommend for people when starting a studio is to invest as much money as possible into awesome <strong>audio converters</strong>.  When your converters rock, you can record anything and it comes out sounding the way it should!  Dry guitar direct input signals are rich and full of life, Shure SM57's cut through the mix, radio shack mics sound canned in a good way, and your monitors render your mix the way it should sound!</p>
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		<item>
		<title>Apple Based Music Studios Beware ... OSX Upgrades!</title>
		<link>http://teft.mimiandteft.com/2007/06/24/apple-based-music-studios-beware-osx-upgrades/</link>
		<comments>http://teft.mimiandteft.com/2007/06/24/apple-based-music-studios-beware-osx-upgrades/#comments</comments>
		<pubDate>Mon, 25 Jun 2007 19:16:38 +0000</pubDate>
		<dc:creator>Teft</dc:creator>
				<category><![CDATA[Engineering]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Studio Maintenance]]></category>

		<guid isPermaLink="false">http://teft.mimiandteft.com/2007/06/24/apple-based-music-studios-beware-osx-upgrades/</guid>
		<description><![CDATA[I'm to the point now, where Logic Pro hasn't crashed in a long time.  I'm sure it has to do with configuration, hardware, and plugins ... but man, why would I stick an OS upgrade into a machine that's doing exactly what it's suppose to!
I just recently read about a lot of people having [...]]]></description>
			<content:encoded><![CDATA[<p><a href='http://www.apple.com/macosx/leopard/' title='OSX'><img src='http://teft.mimiandteft.com/wp-content/uploads/2007/06/osx.thumbnail.jpg' alt='OSX' style="float: left; margin: 8px;"/></a>I'm to the point now, where <a href="http://www.apple.com/logicpro/">Logic Pro</a> hasn't crashed in a <strong>long</strong> time.  I'm sure it has to do with configuration, hardware, and plugins ... but man, why would I stick an OS <strong>upgrade</strong> into a machine that's doing exactly what it's <strong>suppose</strong> to!</p>
<p>I just recently read about a lot of people having <strong>difficulties</strong> with the latest OSX <strong>10.4.10</strong> upgrade.  It's creating <a href="http://gizmodo.com/gadgets/downdate/os-10410-snap-crackle-pop-271672.php">pops</a>, <a href="http://forums.macrumors.com/showthread.php?t=317289">snaps</a>, and <a href="http://www.macfixit.com/article.php?story=20070622084922319">crackles</a> in the <strong>audio</strong> lines!!!  AHH!!  That's a musicians <strong>nightmare</strong> (especially an engineer!)  I remember days being incredibly frustrated with my equipment, because of crashes, config issues, etc.  Why would I change <strong>anything</strong> now??  <span id="more-22"></span></p>
<p><a href="http://www.flickr.com/photos/teft/545964555/" title="Photo Sharing"><img src="http://farm2.static.flickr.com/1284/545964555_946636bd77_t.jpg" width="100" height="60" alt="MimiAndTeft-delicious" style="float: right; margin: 8px;"/></a>Granted, would I love an <a href="http://www.apple.com/macpro/">8-core MacPro</a> over my <strong>Dual G5 1.8</strong>?  Hell YEAH!  I'm all for <strong>gear lust</strong>!  But then again, changing over to a new system would easily take up 2 <strong>weeks</strong> of studio <strong>down</strong> time.  New registrations, new system keys, and endless installations (I've bought a lot of plugins over the past 5 years!).  Plus, some of my small German <strong>Audio Unit</strong> developers haven't been able to convert the plugins to the new <strong>mac-tel architecture</strong> yet!  So I wouldn't have everything in my theoretically "better" system.</p>
<p>The only way I'm upgrading my studio (even Logic Pro) is if it's absolutely <strong>required</strong> for some feature I <strong>absolutely</strong> need.</p>
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