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	<title>Teft's Blog &#187; Scoring</title>
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	<link>http://teft.mimiandteft.com</link>
	<description>Ramblings about music, software, and photography</description>
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		<title>Scoring Films Before And After Sequencers – AFI 100</title>
		<link>http://teft.mimiandteft.com/2007/06/26/scoring-films-before-and-after-sequencers-%e2%80%93-afi-100/</link>
		<comments>http://teft.mimiandteft.com/2007/06/26/scoring-films-before-and-after-sequencers-%e2%80%93-afi-100/#comments</comments>
		<pubDate>Wed, 27 Jun 2007 16:15:55 +0000</pubDate>
		<dc:creator>Teft</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[Scoring]]></category>

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		<description><![CDATA[I'm amazed at what composers have created for the silver screen in the past 100 years.  Mimi and I just recently scored a short film (about 30min) in Logic Pro.  Wow!  It feels like technology is a blessing and a curse.  Being able to hear the score instantly is amazing.  [...]]]></description>
			<content:encoded><![CDATA[<p><a href='http://www.afi.com/tvevents/100years/movies.aspx' title='AFI 100'><img src='http://teft.mimiandteft.com/wp-content/uploads/2007/06/afi.thumbnail.jpg' alt='AFI 100' style="float: left; margin: 8px;"/></a>I'm amazed at what composers have created for the silver screen in the past 100 years.  Mimi and I just recently scored a short film (about 30min) in <a href="http://www.apple.com/logicpro/">Logic Pro</a>.  Wow!  It feels like technology is a <strong>blessing</strong> and a <strong>curse</strong>.  Being able to hear the score instantly is amazing.  You make edits super quick, obvious issues stand out within seconds, and your options are virtually unlimited.</p>
<p>In some ways, having no synthesizers to work with could promote inspiration.  I've always felt that limiting my tool set for a given session helps create inspiration.  Why?  Because I'm not over whelmed with hundreds of plugins and sonic choices!</p>
<p><span id="more-26"></span></p>
<p>Scoring with a pen and pad meant that you stuck to the orchestra pallet.  That scoring pallet has evolved into electronic <strong>sound design</strong> with acoustical elements in the film industry, which is creating crazy new sound frontiers.  (I've got a 10,000+ piece <strong>orchestra</strong> in my computer!  YIKES!)</p>
<p><a href='http://www.btmusic.com' title='BT - This Binary Universe'><img src='http://teft.mimiandteft.com/wp-content/uploads/2007/06/tbu_poster_resize.thumbnail.jpg' alt='BT - This Binary Universe' style="float: right; margin: 8px;"/></a>All this digital action is a good thing.  Look at <a href="http://www.btmusic.com">BT's</a> compositions ... <strong>absolutely amazing</strong>.  <em>This Binary Universe</em> is a stunning work of art.  Mimi and I saw him talk about his writing process in Miami last March at the <a href="http://remixhotel.com/miami/">Remix Hotel</a>.  He talked about literally writing an <strong>80 page</strong> thesis for each composition.  Not a single note is written until the thesis is <strong>complete</strong>!  His mixture of acoustic and electronic sounds is inspiring, and his <a href="http://www.imdb.com/name/nm0117741/">movie scores</a> blend acoustic instruments and electronic instruments beautifully.</p>
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